It has a decent ludicrousness and Mann's one-of-a-kind talent for using digital photography and naturalistic light to complicate and invigorate anonymous spaces.. Shyamalan's best film since The Sixth Sense.. Nobody can top Mann's urban night scenes, with their oily neon and skyscraper light grids, but for the most part this plays like Heat without the heat.. In an ideal version of the novel, we would empathize deeply with her dilemma at the same time as we would cringe at the nature of the choi...
0368447
Tidak ada komentar:
Posting Komentar