Burnished camerawork and ex-Pop Will Eat Itself head Mansell's part-punchy, part-elegiac score reinforce and counterpoint the increasingly nightmarish visuals.. It's a downer -- and far more because of Aronofsky's vanity than because of Selby's brutally candid story.. If this is the future of cinema, I'd rather be home watching television.. Film lovers with a high threshold for unpleasantness will get a contact high from Aronofsky's muscular manipulations of imagery and editing.. A staccato narr...
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