You don't have to be a historian to wonder about the timing of the opening or a critic to regret that Mr. Crowe has signed onto a preposterous, would-be sweeping historical romance that's far too slight and silly to carry the weight of real history.. A sloggy, heartfelt piece of quasi-magical realist storytelling.. Even slightly self-censored, its images of broken cities and the walking wounded is a strong restating of the film's message: There is no such thing as a "good" war. There's only war ...
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